Mysore has a very strategic location that facilitated various dynasties to have their footprint on this land. Therefore, the history of Mysore has always been that of a territory that embraced change. It is interesting to observe how different cultures have contributed to the identity of Mysore. The late 19th and early 20th century called for a change in urban development and welcomed modernism while upholding the traditional values. The city thus allows for the juxtaposition of values over time. This vibrant nature and willingness to adapt in time is what we think is the essence of the city.
During KR IV, new Mohallas and Puras (Purams) were added and Palace Fort was cleared of its population to build the present Palace. Markets like Devaraja Market, Vani Vilasa Market that came up served the residents with their daily requirements.
Colonial era structures like the Devaraja Market, Lansdowne Buildings and building with Indo-Saracenic style added grace and beauty to Mysore. KRW III gave a great fillip to the cultural ethos with unique Mysore art, music, dance, literature etc. The festivals retained the old cultural traditions, while further promoting the cultural life of the city and evolving the famous Mysore culture. Sadly, after 1950s the colonial structures and other buildings of the Wadiyars’ era have suffered with negligence and lack of care and a few concerned citizens and one or two fora are voicing demand for their restoration and maintenance. However, we do not find a concerted efforts or organisations like INTAC to fight for the cause effectively. The city is expanding while number of vehicles are increasing, resulting in more business and commercial activity, creating additional civic issues, calling for well-planned solutions.
Old Mysuru is the charm of the city. Devaraja market is pulse of the city. Literally also, there’s nothing you can’t find in that market. Market is the place where you can find all the GI tagged products of Mysuru is sold.
Put together the people of common interests build a strong community of the people who works towards protecting the heritage of the city, its buildings, lakes also the culture and art. And create awareness of what we are losing and what is the cause and solution. Mainly convey and reach to the children who are the future and who should understand why Mysuru is Mysuru.
The first step towards intervening is to create awareness. WCFA Heritage walk cell looks forward to creating active dialogues that can portray the importance of heritage structures in the city. We have had participants who have contributed to building knowledge about public opinion and design approaches. We have also been fortunate enough to be supported by academicians and historians who work on producing knowledge about the city. This is a two way process, one where our students learn about the values associated with built heritage and the second, where we can reiterate and share our learnings on a larger platform. This allows for reflection and critical thinking in all the agencies that are part of the heritage walk.
Rajen Varada from IHCNF once said it so well: being a Mysorean used to mean something special. People from other cities held Mysuru and its people in high regard. Even in traffic, there were polite standoffs, everyone insisting, “No, no, you please go first!” Somewhere along the way, that gentle essence has faded. For us, the dream is to bring back that warmth, grace, and quiet pride that once defined this city. The hope is that Mysuru continues to hold on to these stories, so future generations can still recognise themselves in the places we leave behind.
Read the full story that first appeared in The New Indian Express dated 31 Aug, 2025 here:
Leave a Reply